Wednesday, April 16, 2014
Wednesday, April 9, 2014
Report by India Education bureau, New Delhi: Amid a surge in visitors at ‘The Body in Indian Art’, the National Museum hosting the landmark exhibition is organising a comics workshop this weekend.
The April 12-13 event at the museum premises will provide a platform for drawing a comic around the body. Artists, comics artists, illustrators, cartoonists and anyone with an interest in storytelling or drawing can participate in the limited-entry workshop being organised in collaboration with World Comics India.
The time will be 10 am to 4pm. Those interested to participate can email to Sharad Sharma at firstname.lastname@example.org by April 10, Thursday, organisers informed.
Workshop material and lunch will be provided by National Museum.
Friday, April 4, 2014
There’s no dearth of talent in India to create comics and graphic novelsComic Con India is dedicated to creating unique events and giving the fans, exhibitors and partners a platform to celebrate their undying love and passion for comics and pop culture. It is dedicated to expanding India's popular culture by creating high profile events that cater to fans of not only comics, but also, gaming, movies, television, merchandise, toys and more.
On asking about the response and demand of comics and graphic novels in India, he added, “In my opinion, it’s certainly on the rise. I feel the boost given by films and popular television series around international characters, has certainly increased the readers’ curiosity to reconnect with comics. This provides a great opportunity for Indian content creators to push their books as well. Sales of comics at all our events are great, however, on the flipside, the not so efficient distribution system in India lets down a lot of upcoming publishers to get their books to readers. That is a major stumbling block to all publishers out there. Online retail has certainly helped, but I hope we are able to find a solution to fixing this distribution setup in the near future.”
Comic Con mainly publish their own titles, mostly in English with the average print run between 3,000-5,000 copies. “Our publishing label essentially complements our events and we re-publish out-of-print Indian comics titles, for example the Timpa series, which used be published in Indrajal comics,” he added.
Jatin is really positive about the comics’ industry talent pool, “We certainly have no dearth of talent. Our quality has certainly come up, but there is certainly scope of improvement.” While talking about digitization, he added, “The Indian digital reading market is quite small, it’s certainly something that holds a lot of promise in the future, we'll certainly have our digital editions. However, right now the impact of this space in India is limited.”
As a message to readers, he says, “Let children read comics, you can obviously monitor the content, and comics really help foster a reading habit in children. I am living proof of that, I wouldn’t organize Comic Cons or publishing comics, if my parents hadn't introduced me to the wonderful world of Tintin, Asterix and Tinkle, early on. And because of that I obviously am hooked on to comics but I love books in general as well.”
Graphic novels are a perfect way of engaging young minds and conveying ideas and messagesCampfire has been in operation since 2007. The company was the brainchild of Keshav Thirani, a successful engineer, who wanted to produce books that his own grandchildren could enjoy and get something out of. He saw immediately that graphic novels are a perfect way of engaging young minds and conveying ideas and messages. They always bring best of Shakespeare, Dickens, Austen, and many other timeless favourites. Not only that, their mythology line delivers the best in Greek and Indian mythology, bringing these ancient stories bursting into life and transporting you to a world of magic, mystery and fantasy.
Accordin to Jason, the market is growing all the time. Over the last four years, interest in the whole genre of graphic novels has really opened up in India. Adding more to it, he said, “In fact, I would say over the last twelve months we have seen a big change and graphic novels are now well on the way from being a niche market in India to being a mainstay within the mainstream publishing industry.”
Having all the titles available in English, they have produced a small selection in Hindi too, and he shared that the interest is growing and we are planning more Hindi translations of our books. As far as other international languages are concerned, many of their books are also available in French, Portuguese, Italian, Korean and others.
So how’s the response to which he happily added, “The demand for our books has definitely increased. There are lots of reasons for this. The likes of Comic Con India has helped to publicise the comic book scene across the country and media interest has shown people that comic books don’t have to be silly, but can be very serious, that they can hold even a reluctant reader’s attention and that they can convey messages and ideas in a way that will remain with the reader long after they have finished reading.”
They mainly aim at readers from 10 or 11 years upwards and recently released a brand new genre of Campfire Junior graphic novels aimed at the pre-school market. And discussing about pricing, he added, “This can depend on each title and the length of each book with prices ranging from Rs 195-399. Some of our books have print runs of 4,000 to 5,000 while a few titles go upto 10,000 copies or more. Gandhi: My Life is My Message is a recent release and is doing very well, along with Steve Jobs: Genius by Design, our adaptations of The Jungle Book, Alice in Wonderland and Pride & Prejudice and our graphic biography of Nelson Mandela.”
India being a best market for them, they do export around two thirds of their books abroad to the likes of the US, the UK, Europe, SE Asia, Australia and New Zealand. And talking about digitization, he shared, “Our books are also available now in digital. There can be no turning back the tide as far as the digital revolution goes. Publishers have to embrace it and welcome; we are exploring ways of making the most out of all the new technological advances that are available to us.”
As a message to readers, he says, “I would like to remind parents and teachers that children aren’t a separate species, they are people too. They need good, exciting and interesting books just as much as anyone else. Also, don’t be quick to shoot down people for reading comic books. On the contrary we should encourage our young to read. Just remember that pictures really can paint a thousand words and these books will remain with your child or your student a lifetime.”
Comics are not just for fun…
Diamond Comics, India's largest selling comics is being published in almost all Indian languages, it has attained an unmatched reach to every corner of India. It is providing the best comic literature to Indian children for the last four decades. Its unmatched quality, uniqueness, affordability, availability and credibility has made it an undisputed leader with loving characters including Chacha Chaudhary, Billoo, Channi Chachi, Chhotu Lambu, Pinki, etc.
there’s lot to learn as well
According to Gulshan, the trade comic and graphic book publishing market in India is really big for them and on asking about the status of English language vs other Indian languages, he replied “English, Bengali and Hindi are having maximum sale in the ratio of 30%, 10%, 50%, while 10% sales account for other regional language comics.”
On asking about the response and demand of comics and graphic novels in India, he replied with affirmation, “Diamond Comics have maintained the accelerating sale and still we are maintaining it by selling over 2.5 lac comics every month and MRP varies from Rs 30 to Rs 250.”
Diamond comics are also being exported to Bangladesh. And he feels that Indian comics have much bigger sale than the foreign comic sales in India. The production quality of Indian comics is equivalent to the overseas publishers, he feels. On talking about digitization, he added, “We have digitized over 2,000 comics in all languages and are available on all the platform of e-sellers and m-sellers.”
As a message to readers, he says, “Choose the comics/books based on not only fun but also on education and Indian culture, religion and heritage.”
Comics are all joy…no attitudeWorld Comics India (WCI) is a collective of grassroots activists, cartoonists, artists, development journalists, students, using comics as a communication tool as well as medium of self expression. These grassroots comics are drawn by common people reflecting their understanding of the social world (and not by artists). People living away from power centers rarely have their voices reflected in the mainstream. WCI parallels with the mainstream approach, and conducts several workshops aiming at empowering these voices and bringing out their own wall newspapers. The rich stories nurtured in the workshop are a reflection of the multi-cultural outlook of the society and this inspires them to adopt visual story format in the most cost effective manner possible.
Sharad started this as a movement and today, they have around 10 titles in English and around same number in Hindi. Most of the stuff World Comics produce from the ground is in local/regional language. According to him, “All the creators are common people of the country.”
Commenting on the response and demand of comics and graphic novels in India, he added, “There is less support to Indian comics’ artists. English language publishers are publishing the same auroras or same style of stories, and they are not ready to experiment Indian stories, forget about the Hindi and regional languages.”
Digital publishing being a crucial area in coming years, he seems sure that this will encourage self publishing.
BPI marches on
Purple Turtle to publish book on “Financial Literacy”
AMITY University Press fascinates kids at NDWBF ’14Attractively crafted stand of AMITY University Press at the New Delhi World Book Fair 2014 drew attention of young visitors during the nine-day exhibition organised strategically including two Sundays and two Saturdays in the show schedule to eventually pull crowds of school children on those four special days. “Of course, the fair schedule which includes weekend holidays really gives school children an opportunity to deeply explore the fair,” said Rupa Gupta, senior editor, AMITY University Press. She added that such mega fair helps them a lot to interact with kids and gain a way to figure out what children want to read.
AMITY University Press showcased a huge range of children’s books for pre-primary classes. “Our target group comprises children of I-V classes and for them we present a series of books on analytical skill development, question recalls and others,” mentioned Rupa. She further asserted that it was delighting to see young visitors around their stand picking up books to browse and enjoy the contents on the spot. Children’s books published by AMITY University Press are designed pertinently in terms of contents and print quality as per the needs of young readers.